That second line may have been, 'America is inviting you to call...' It was the opening and closing theme, sung enthusiastically by Dinah Shore back in the 50's and early 60's on her weekly variety show sponsored by Chevrolet. Pleasant entertainment, typical of the day....songs and comedy by stars of those times....plus lots of commercials for Chevy and others. That was when General Motors was the blue-chip 'King of the Road', and the Chevrolet division outsold every other brand of car on the road. How times have changed in the intervening fifty or more years!
Chevrolet, through our relationship with Campbell Ewald in Detroit, was one, if not 'the', most important client that P&H and I had in the 50's and early 60's. Important, because all of their ads were national in distribution....and because the pay was better than on local or regional accounts. A long and complicated history, but to cut to the chase, Jim Hastings, a talented San Francisco artist, ad designer, art director, et al, became the head art director for Campbell Ewald in Detroit, and head of the Chevrolet account. He liked and favored west coast illustrators....Fred Ludekins, Stan Galli, Bruce Bomberger, Gordon Brusstar, Dan Romano....and....Charlie Allen. I was included a bit early....in the early 50's....really before I had enough experience. It was sink or swim....and I did some of both....on very complicated assignments. Even in the 50's there was overnight air delivery....so working long distance was practical.
We'll begin with scans of line art. Most of the dozens of ads I did for Chevy were large newspaper B&W ads...and most were line film positives over a halftone rendering on the car. I've found that line art and textures don't scan well....especially when a full page ad has been reduced to a smaller copy. Therefore, click on each image shown in this post to see a much larger version.
Hastings, and other AD's at C.E., promoted large ads with ambitious, dramatic compositions that were often difficult to render in pen, brush, and ink line art.
Above, a classic Jim Hastings concept....strong values, an implausible location with a wild-west stagecoach chase, a 1958 convertible plus movie directors, speeding along in a dry wash. I doubt if either of us had a clue how Hollywood would film such....certainly not with film crews perched on top of steep rocks, a director yelling with a megaphone from the car! Hey...it's advertising! This scan was from a glossy photostat, minus the halftone on the car, so the same as the film pos. In hindsight, wish I had asked for glossy proofs of these ads....but life was moving fast in those days...it didn't seem that important.
Next, again, strong values on a helicopter 'commuter dad' scene. Pretty sure it was a '57 Chevrolet. The cars had to be drawn as accurately and as 'sexy' as possible to please the Chevy people. In those days civilian helicopters were new. This was a Hiller (as I recall) that I photographed at Crissy Field, a small former military base on the S.F. Marina.
Below... a typical pencil comp that I did of a golf club scene....with multiple cars. I liked it, and Jim Hastings liked it, but Chevrolet wanted more cars showing.
The next scan was the result....a boring composition....but lots of Chevy's in the parking lot!
Finally, most of a full page B&W of a 1959 Chevy and family at a train crossing. Detroit was truly into the 'big, gaudy, fin stage' in car design by this time!
Next week....more B&W's and other types of Chevy ads.
* Charlie Allen's Flickr set.